“One life is all we ask.”
A sprightly Martin Sheen plays psychologist Cal Jamison in this almost forgotten tale of dark power and ruthless ambition. The movie’s more unsettling scenes are fearlessly portrayed by Oscar winning director John Schlesinger, even though they might’ve struggled to make it past the present day’s more politicised censors.
Not for the squeamish or the easily offended, The Believers tells the story of a professional psychologist who finds himself drawn ever deeper into the shadowy, obsessively secretive worlds of Santeria and Palo Mayombe,* its even darker cousin. The themes of group loyalty and unquestioning faith are squarely interrogated by the film’s unflinching portrayal of blood sacrifice, both animal and human.
Almost as though drawn by some invisible force, Jamison finds himself inside a world hidden behind barriers of blood, custom and language, where the forces of light and darkness wage their unceasing war through Santeria’s hybrid system of African, Latin American and Catholic ritual. The result is a deliciously dark and exotic experience, where even the work of the right hand path feels somehow perilous and forbidden.