The Hill (1965)
Almost forgotten now, this tense and relentless prison drama stars a young Sean Connery as busted Sergeant Joe Roberts trying to survive a notorious Middle Eastern prison camp during the bloody campaigns of World War II.
Ably abetted by an excellent supporting cast including Ossie Davis and a surprisingly serious turn by Roy Kinnear, The Hill is a searing and bleak study of dehumanising bureaucracy, psychological torture and overt institutional cruelty. Brilliantly shot and superbly scripted, this simple premise follows the incarceration and steady deterioration of five very different characters as each one is hammered relentlessly by the incessant malice of a vengeful staff establishment.
As Roberts and his cell-mates are pushed to their physical and psychological limits, each one disintegrates under the stress to reveal both their own and the system’s shortcomings. The death of one prisoner finally pushes mutinous mutterings into outright rebellion as the rule of law rapidly breaks down, with the men turning on both their captors and one another. After a tense stand-off between prisoners and staff, order is finally restored when the inflexible camp commander at last shows some leadership, having been relentlessly undermined by one of his over-zealous underlings.