A Clockwork Orange (1971)
Ultra-violence, drugs, sex, crime, punishment and the human capacity for evil are just a few of the subjects covered by one of the most talked about releases in all of movie history.
With its outlandish characters, outrageous costumes and memorable direction, Stanley Kubrick’s outrageous dystopian pantomime creates a world which is both totally unrealistic and yet unsettlingly familiar. Nothing in this retro-futuristic fantasy looks or sounds quite like the world we know, which helps to keep the viewer off-balance during the whole cinematic experience. Like a blurry photocopy, the costumed facsimile of Alex and his droogs kind of resembles something from our everyday experience, even though it’s a misshapen and fuzzy representation of the reality we all share.
As we follow Alex on his journey from joyously psychotic gang leader, to reluctant prisoner, through willing guinea pig and political patsy, we know we’re watching a psychodrama set in an imagined world, yet that does nothing to quell a strange yet poorly defined feeling of unease this movie often conjures in its audience.